Archive for the ‘Soda’ Category

Even though New York is still coated in a late-March sheet of ice, I keep trying to find the push to yank my gravitationally-enhanced behind out of my hovel and go live inside some lights and music for a few hours. So I rolled out of my house, said goodbye to my sweet little doggo, and headed out to legendary Long Island rock spot Mr. Beery’s for the release of Coventry Carols’ self-titled first album. Supported by New Haven’s He Was A God and Richmond’s Sadartha, the show was a solid three hours of guitar shredding, screaming, and rock ‘n’ roll camaraderie. These three bands vibrated the walls into Saturday morning to welcome debut album Coventry Carols into the world.

First was Sadartha. The Virginia-based duo of guitarist/vocalist Johnny Noxious and bassist Mello Cefola displayed a collection of new grunge tunes. Sadartha’s fat guitar vibrations have that dark energy that remind me of how Alice in Chains used to feel. You know, the feeling that grabs you by the back of your sinuses and pumps rage into your brain. Sadartha set the stage for an evening of heavy flavors with just a touch of vocal pomp, inspired by “the ghost of Billy Corgan’s hair” that permeated their song “Eclipsing Binaries.” Although it’s fair to say, Noxious has enough glorious-enough hair of his own. Their latest album, Sad Art, came out in October.

The show raged on with pure personality metal/prog act He Was A God. Hailing from Connecticut, this fivesome melds prog sensibilities with metal sounds. Their drummer (Chris Densky of Genitorturers fame) is an absolute beast. This group dazzles with sonic Maiden-esque solos of alternating guitarists Ray Zvovushe and Tony Pellino. With bassist Dan Perrone bringing the heavy, and the charisma of Man In Black vocalist Ben Curns, He Was A God positively melted my face into goop. With politically biting lyrics and megaphone-using showmanship, I couldn’t take my eyes off of them. Their new EP The Smile & The Scar came out in December. Check out “Two New Stars” – it was sick.

Finally, Coventry Carols’ themselves brought the house down with a warm welcome from a nearly packed Beery’s crowd.  Singer/songwriter Soda Survive reunites with fellow (e)motion picture alumnus Terry “T.T.” Taylor to produce another series of hard but core-smacking tunes. With the addition of bassist Cliff “Sugarbear” Catropa, the three produce an emo-type sound with a little extra metal rage added for good measure. If Sadartha was inspired by the ghost of Billy Corgan’s hair, Soda was positively choked by it, feeling his 90s grunge fantasy with his stage antics and some healthy banter with T.T. and an audience member who was gifted with a dedication for their tune, “This Serenade.”

The losers for the night? The drummers. T.T.’s lead foot broke the last working pedal, Sadartha’s be-hated drummer Manny the Mannequin passed out after two songs (FUCK YOU, MANNY!), and HWAG’s drummer lost a stick to a joyful buffoon in the crowd that now has a prized souvenir (mind my jealousy). Still, a raucous show, and just the kind of energy a girl needs to emerge from winter frost. Gotta love a $10 show!

Sadartha’s BandcampSadartha’s Instagram

He Was A God BandcampHe Was A God Instagram

Coventry Carols BandcampCoventry Carols Instagram

Finally! After years of wait, our own Soda Survive has finally brought his newest project into the daylight. Coventry Carols is a reunion of (e)motion picture’s Soda and drummer Terry Taylor, along with bassist Clifford “Sugarbear” Catropa. Together, the trio have emerged victorious from their first gig in nearby Connecticut, and have released their premiere track “The Well,” due to hit virtual airwaves on Friday (but purchasable from bandcamp at this very moment).

“The Well” is a alt-rock bopper, or as was recently noted during an interview on Bitten Apple TV, “a 90s throwback to the future.” The Well starts with a jaunty guitar riff over Terry’s tip-taps, that sound much like a rock-and-roll kid’s jaunt in a playground. Soda’s vocals come in, bringing in a little Billy Corgan flavor along with the lyrics that make me wonder if “The Well” is a metaphor for the darkness of the pandemic (Will we ever see the light again?/These times they are so cruel). Alternatively they might reference Soda’s recent years of medical challenges, a well from which he has emerged victorious. All in all, The Well is a 90s-ey, garage-y, grunge-y rock tune that will woo a few of the emo kids to boot.

The well single has four tracks, including an instrumental, and a remix by Coventry Carols album producer Joey Zampella (Life of Agony). Long Island can find Coventry Carols playing at Mr. Beery’s at the end of the month. Keep an eye open for their forthcoming cassette and CD, too – Coventry Carols has just joined the roster at Rescord!

coventrycarols.com

Coventry Carols on Bandcamp

Last Friday I decided to do somewhat of a reissue of my old band, Violet Daydream’s album, Meow as a Bandcamp exclusive digital only release. I can absolutely go on and on about this record because it is certainly one that changed my life. So, why an EDITED reissue of all things? Well, for a number of reasons. First, as a music nerd, I personally love when bands do this kinda stuff. If I dig a band I’ll take any and every version of whatever I can get. It’s just part of the universe that’s created. Second, this version of the album was never commercially available ever before. This features the clean edits of “Taste” and “Sucker” and a radio edit of “A Certain Chemical” with a bonus track remix of “Taste” by our bass player. It cuts out all of the untitled/noise tracks that were sprinkled throughout the original release. And, if you want to get into the very fine details I even shortened the title of “Through A Forest, Up a Hill, Into a Dark Room” to just, “Through A Forest…” The whole point of an edited version initially was to better promote the album to radio and stores due to some of the language and some song lengths. Finally, the color of the cover was altered and includes “Edited Version” stamped across the front. Ultimately it makes the record, dare I say, more commercially viable. To me this. is. not. a. compromise. But rather a step up in artists development and maturity for myself personally. It also had a bit of a remaster by Tyler Green at Tyler Green Sound Services and has never sounded so loud, which is great. I do have more plans for VD music in the future which would be the absolute final offering I could muster up from this era. And third, well, I just wanted to! The band is long gone and we left behind two records (I did try for a reunion a time or two). Our shows were really noisy, raw and gritty and fairly dangerous. It was a great time. There are many stories that can be told about this time period in my music making and creating history. Many memories and stories. Some I’m quite sure you wouldn’t believe. Many people said we were just “too early”, in fact, that was probably said the most out of anything. We were just a trio of weird kids from Long Island that shook my house with our noise on a weekly basis (my Ma was a saint) and in the end learned a hard and shocking lesson about the music “industry” which in turn spelled the end of the band. But these are all stories for another time.

P.S.- After VD: I haven’t stopped creating, it’s been quite an adventure. Mike went on to play with me in ABCSoda and His Mighty Robot, he’s quite a wonderful musician. He now plays in Graces Of Chaos and Blockhead. The drummer, Leo, I don’t know much about.

https://officialsoda.bandcamp.com/album/meow-edited-version

https://officialsoda.bandcamp.com/music

I recently dug thru some files and found some cool “behind the scenes” video footage from early guests of the M-S-G Podcast. I figured it would be fun to compile and put them up. Thanks so much to all the awesome people that have been a part of M-S-G. And a very special thanks to Monkey for capturing these moments and helping me out with a bunch of the shows. R.I.P. friend. Your legacy lives on. Hope you all enjoy this, thanks for watching

 

Indie

Earlier this week I posted on social media that I was looking for any and all music related indie artists of any kind to share with me the best place on the net to show off their work and I would compile a list here that we could share with each other and beyond. I guess it was a bit of a social experiment? Anyways, I had hoped for more participation. Whatever the case may be, below is a list of rad artists doing their own thing. Whether they at some point may have been on a major label, toured the world, or just make records right out of their bedrooms, it’s a list of honest and good folks doing it for all the right reasons. So please, check them out, share, and support. Especially in a time like now where we are all struggling and being faced with finding different ways to support ourselves and still put positive vibes into the universe. MUSIC-SURVIVAL-GUIDE is all of us. Stay safe out there. xxx

SODA – www.officialsoda.com

THE LICKERISH QUARTET – www.thelickerishquartet.com

SPOOKEY RUBEN – www.spookeyruben.bandcamp.com

WHITE TRASH – www.whitetrashuniverse.com

BLACK SUGAR TRANSMISSION – www.blacksugartransmission.com

OURS – www.ours.net

KALLIE MARIE – www.kalliemarie.com

THURSDAY THE 12TH PODCAST – www.thursdaythe12thpodcast.com

SADARTHA – www.soundcloud.com/sadarthagrunge

JEBB – www.jebbsmusic.bandcamp.com

MELT – www.melt4.bandcamp.com

We are less than 2 weeks out from this VERY special show (Sun. May 19th at Village Pub Long Island) We cannot wait to give it all to Giovanni Silver Fox this night. This show is so important to me for a number of reasons. NOX CULT has reunited to play for all of you one more time. I really hope to see so many of you and when I do I will never forget it.

NC Reunion Flyer

This is a very important and a special announcement for me. My last band, NOX CULT is back after 3 years. There is so much to say and do, but the most important is the benefit show we are scheduled for in May. See the info below. THIS is the reason why we have returned. It means a lot to us…so please…read, share, spread the word. EVERYTHING. And, thank you!

………….

***ATTENCION***

Brothers and Sisters of the NOX, the CULT has been resurrected! Yes, NOX CULT is back together. One more time. We have been brought back for a benefit show to honor and empower our Cult Member, Friend, Brother and Father, Gio “Silver Fox” as he fights for his health. This is an official announcement about the engagement which will take place on May 19th. The line-up is absolutely incredible. This is our first time performing together in over 3 years and my return to the stage in 2 and a half! This will be a night to remember. Ink the date and get to this. Let’s shake the world. Wherever you are make your plans now and get there early. We want to see ALL. OF. YOU. @noxcult

NOX 2019 BENEFIT

Happy New Year! 2019…holey moley! This is our first episode for the new year. I had the idea to do a bit of a “year in review” type episode for 2018. I wanted to acknowledge the fact that we had now been doing the Podcast for a year and just give a knod to all the great artists I interviewed or covered in some fashion. I figured this would be a great way to tie up one year and start another. So, as we brainstorm what is next please give this a listen and hear a cool and fun little wrap up of what I thought was a really great year for M-S-G. More guests on the way. Peace and love! And, a big thanks to my Monkey man 😉

*ALL MUSIC USED WITHIN THIS PODCAST IS PROPERTY OF THE ORIGINAL WRITERS.*

DL FOR FREE ON SOUNDCLOUD

Hey friends near…and far. I can’t believe another year is soon to be behind us. So, before that happens I wanted to make sure I squeezed in a few more posts over here at MUSIC-SURVIVAL-GUIDE. It’s been a really cool year for M-S-G and I’ve really enjoyed every part of it. A cool thing that seems to be happening for us is actual word of mouth…remember that? I LOVE IT, and that’s exactly how I came across Dramaglider. Neil Klemz, guitarist for this Chicago based band had contacted me via email as he had heard about MUSIC-SURVIVAL-GUIDE from Fred in AAA Battery which I did a feature on some months back. I freakin’ love getting emails from bands and artists who are interested in being a part of this project. Neil was pretty excited when he reached out and wanted to talk about his bands first record they were about to release. He was nice enough to send me some sounds that were pretty neat so I figured I’d give these cats a bump and share them with you. That’s the best part about music, sharing it with each other! It’s always been a joy for me. And be it that we are in the Season of sharing, here ya go…some music for ya. Check out Dramaglider. Dig in and enjoy. Support indie artists!

DRAMAGLIDER

Dramaglider Album Ad Large

 

RJMJ - Glamping

“Glamping is a portmanteau of glamorous and camping and describes a style of camping with amenities and, in some cases, resort-style services not usually associated with ‘traditional’ camping.”

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And now that you know what Glamping properly means, we finally have a sound to associate with it as well, in the form of Roger Joseph Manning Jr.’s new solo EP of the same title. So, let me first ask, how do YOU know about Roger and his many sonic contributions to the universe? Maybe you recently discovered a tiny mad scientist keyboard madman on a tour with Beck? Or…maybe you have hung on since his college rock indie days back in the late 80’s when he joined Beatnik Beatch with Andy Sturmer? For me, it’s what happened after Beatnik which put Roger on my radar at a very young age, that project was Jellyfish. Ask me about that another time if you already don’t know of how that band changed my life. Roger has been turning out music for 30 plus years at this point. Whether he’s doing session work, or pushing the envelope with one of his own original bands or giving us polished and scrutinized solo work…whatever it is, he’s certainly giving stellar efforts.

So…let’s discuss Glamping, cause for this moment, that is why we are here. This is Roger’s first new solo recording in about 10 years. And his agenda, as far as I know, was to put more solo music out for the last few years but he had gotten caught up with some other cool work outside of his own – Last Winter RJMJ surprised us all with an absolutely unreal Pledge Music campaign which would coincide with the release of Glamping…to get it out, to get it in the hands of music lovers and beyond. This was no regular run of the mill campaign. With this, came a peek into Roger’s world a bit. Video updates while on tour with Beck kept a smile on our faces, a glance (literally) into his closest as he sold off Jellyfish clothing from the early nineties (WOW!) Pieces of gear he was parting with, chances to hang and record shop with him and a slew of other fun and juicy bits to be involved with. Hardly 48 hours had passed on that campaign and a number of components had sold out. Roger considered it a huge success and I know was very touched by the response. And, because of that very reason he has promised more solo music, sooner than later. This whole thing also allowed him to reissue his first two records which both had Japanese releases and under the radar domestic ones as well. There is a lot to get into here and I don’t want to veer off course too much more…

So, again…Glamping. This 4 song EP is quite an appetizer to what will hopefully be followed soon by a main course. A contribution that leaves you with a belly rumbling, it whets a pallet that had been starving for a taste for nearly a decade. The perfect and pristine songwriting in which Roger has painted himself into a decadent corner for so long does not disappoint. An avid fan of the 70’s, Mr. Manning certainly wears his heart and influences on his sleeve for this one, maybe more than ever(?) It’s a very focused and streamlined collection of songs. Perhaps the fact that there are only four songs this go round didn’t leave much room for the wackier more experimental stuff to creep in. What you have here is four delicate yet deliberate songs keen on love, playful on adventure and confident in delivery. The production is clean and smooth with Roger doing the bulk of the work with a little help from some amazing friends. Brother Chris (the Witchdoctor himself) is present with some assistance in the vocal department and helping in general to bring all of this out of RJMJ. Jason Falkner plays some guitar, Bleu McAuley sings a little, Lyle Workman plays a bit of guitar too…it’s a cavalcade of radical folks curating a really unbelievable set of tunes that ends just a bit soon. These songs are sang so sweetly, it always sounds like Roger has a smile on his face when he sings and that attitude really comes across here. First track, “Operator” is a cute and clever song sprinkled with a dash of loneliness, “Operator, I need a favor…could you take some time, I’m in need of a connection in the worst way, so don’t say goodbye.” A song possibly too smart for it’s own good! Next up is “Funhouse”, which is appropriately titled as it is probably the most playful of the set, sounding like it could easily transport you to the carnival with just a little imagination. It is also, the only song which Roger writes the lyrics to completely on his own, the others have Chris Price assisting or handling them in full. Third track, “Is it All A Dream?” is my personal favorite, it’s just such a beautiful song with a chorus that you’ll be singing for days, a perfect pop song with hook, line and sinker. The EP ends with the longest in the collection, “I’m Not Your Cowboy”, a modest song about a modern man who simply knows his place and graciously accepts his role as a non-superhero. Perhaps the most complex of the songs, “Cowboy” is triumphant and ends the release big. The musicianship throughout is top notch of course. I just wish in the end that Roger had handled all of the lyrics on his own. Either way, can’t wait for more original music from Mr. Manning!

Listen to first track on Glamping, “Operator” below!

ALSO, If you have extra time, check out this great conversation I had with Roger a few years ago in which he drops many hints about Beck, Glamping and a bunch of other cool stuff!