Archive for January, 2022

This song makes me woozy and a little tense, in all the ways a really engaging piece of experimental music should. “God Complex,” is the newest release by chamber pop trio Gentle Party. The song starts off with breathy vocal notes that posit a tonal wondering. The song becomes lush and delicate like an edible flower, and it stays in the back of your mind, strumming its inquisition. Then the lyrics come in and ask the most frustrating question every fan of everything has had to ask themselves in the last few years – can you separate art from artist? But it’s no matter – God Complex is less about answering the question and more about pointing a finger at every fake and fraud that begs forgiveness because they got caught. And in that, they may be a “gentle” party, but “please forgive me while you pray at my feet” is a statement wrapped in barbed wire scraping the bleeding arms of the patriarchy. “I hope you diligently pray” is a beautifully veiled threat.

The video expresses the concept in a gorgeously surreal narrative as the “god” and his black hands play paper doll with the otherwise powerless protagonist. She’s caught in the narrative of a figure that admires her beauty but controls her every move when he’s not swallowing her whole in his palm. He adorns her life with symbols of control like crucifixes, instruments of torture, and chess pieces. A couple of moments make me wonder if he thinks himself Zeus, and his doll an amalgamation of his many wives represented by many legs. Either way, it’s gorgeous, start to finish.

Time to rant: Does an artist deserve to be separated from their art? This question has been bugging the funk out of all of feminists for eternity and everyone else since #MeToo. I struggle with this as someone who LOVES a lot of art from men. I’ve been let down by so many artists, ones that I really connected with and whose art has illustrated pivotal moments of my life. I’ve navigated that with all of the same dissonance. I can never forgive some performers, but I can forgive others once I weigh my discomfort with their crimes. I try to forget some songs and consider others guilty pleasures. There are performers who go unscathed despite multiple reports of violence, and I watch them and seethe. And then there are performers now that would deeply hurt me if they ended up #MeToo-ing someone. I force myself to keep remembering to “kill my idols” but it is so hard when the voices that often speak to me belong to to the same half of humanity that commits 97% of sexual violence.

“God Complex” is the second single from the upcoming album God Complex, hitting the ground on February 17th. Check them out!

Gentleparty.com

Gentle Party Youtube

Gentle Party Instagram

Social Order – “Never Again”

Posted: January 19, 2022 by Kat Meow in Edinburgh, Pop, Post Punk, Social Order

Members of The Mowgli’s, Metro Station, and Parade of Lights met and swirled during lockdown to combine their powers into anthemic synthpop. Their newest track, “Never Again,” tastes a little like The Escape Club marinated in delicious synthy goodness. The lyrics tell a tale of a busted up dramatic relationship that’s as fun as it is destructive – not that breaking the bed sounds like actual fun. Still, stuff like this is my Captain Crunch and I can eat the whole box.

Never Again by Social Order on Soundcloud

Social Order on Instagram

Fresh face Smudgeout, also known as 19 year-old Deanna Fielding, delivers a driving rock track called “Cheap Jewelry.” Smudgeout tells us her frustration with crass consumption and the fashion industry’s stranglehold on people’s wallets and minds. Driving guitars and contralto vocals make me think she’s got shades of Florence sans the Machine in there. But she’s got that punk energy and anti-consumerist ethos for those of us sick of the mindless cycle of buy-break-discard-buy that comes from ugly fashion practices. This song has gotten some brain-replays, a sure sign of a keeper. Enjoy!

Check out Cheap Jewelry on Spotify

More Smudgeout from her website: http://www.smudgeout.com/

Pinc Wafer – New Single “0%”

Posted: January 12, 2022 by Kat Meow in Alternative, Glasgow, Pinc Wafer, Pop

Glasgow artist Pinc Wafer’s newest track, his first since his dreamy Needed EP, is a crisp lo-fi constitutional through the struggles of managing a relationship through problematic drinking. Not unlike a good brandy, “0%” wraps you in its smoothness, but finds a moment midway to add a little gravity to the groove. It’s a worthy track for your chillout playlist.

0% by Pinc Wafer on Bandcamp

Pinc Wafer on Soundcloud

Pinc Wafer on Youtube

A big thanks to my buddy Soda for giving me the space to share some tunes with you!

Thumpasaurus greeted the world with their 2018 sensation “Mental Karate,” and now the rest of us will have to spend our lives scouring eBay for hard copies of their brash debut, Book of Thump. Now they’re back with their sophomore effort Thumpaverse, a flavor bomb of dance, punk, funk, and jazz that has Spotify addicted to their sound.

Thumpaverse’s twelve tracks are a journey.  The album opens with “Emotional Pain,” a building tidal wave of funk that hits the peak of falsetto tension before slamming you against the beat.  From there it’s like you’re listening to rest of the album through your hips. Try to stay still when songs like “I’m Pissed” and “Struttin’” cross your eardrums.  These tracks are guaranteed to get your body shakin’ at maximum wiggle and laughing at their ridiculous setups.  But this is not a one-note band – they bob and weave through musical genres with equal parts appreciation and irreverence. Vocalist/Guitarist Lucas Tamaren gives every song a whole different persona. There are no two songs on this album that sound alike, and yet they all THUMP.

These guys are eclectic and often swing in unpredictable directions.  Zeppelin reminiscent “Reaching” weaves delicate instrumentations and tense vocals through a journey until the song literally gives birth to itself. But they can also swing in the entire opposite direction and deliver something folky and sweet like “High School.” Somewhere behind the beat and humor is a kind of emotional self-awareness that can sneak up on you after a few listens, like in “Emotional Pain” or auditory hug “End of the Night.”

Thumpasaurus is a band that is at home in the cosmos (by way of Los Angeles).  But a real ride on the Space Barn can only happen when you see them live.  Fortunately, they recently recorded a live album, an exciting development we hope to see soon.

Buy Thumpaverse on Bandcamp

Thumpasaurus.com

Instagram

Happy New Year, 2022 huh? It still doesn’t look like The Jetsons… Anyway, happiness and health to all.

Now, drumroll please…I would like to take a second to introduce KAT! She will be joining me over here on M-S-G. KAT will basically be doing the same thing as often as time permits. Write-ups, features, etc. She is a very longtime dear friend, sharp as a tack and very passionate. It’s been hard for me to keep up and this decision is overdue. I’m psyched to have her on board and trust her forthcoming contributions and vision.

WELCOME KAT, AND HAPPY NEW YEAR!

KAT DOODLES KAT!