Archive for the ‘Electronic’ Category

Danish duo Moon Panda have brought their bonus-only track “Submarine” to streaming.  This woozy trip-hop tune was previously only available as a bonus track on Moon Panda’s celebrated March debut, What on Earth.  The vocals hiss a whispery singing of the fates, and then the melody hits that beautiful coasting-through-existence motif that comes on so well for this genre.  Maddy Myers’ tone transforms lyrics about riding the city streets into something spacious and otherworldly.  

Moon Panda just played stateside at the emerging Same Same But Different Festival in Southern California.  Here’s hoping they catch on with more USian music fans, those of us who like to lay back in darkened lounges with sounds that make the spirit glide through the plane. Great tune for those who like Zero 7 or Massive Attack.

Moon Panda InstagramMoon Panda BandcampMoon Panda Website

T F D – Total Fucking Darkness

Posted: September 14, 2022 by Kat Meow in Electronic, Pop, Total Fucking Darkness

You could say hello to the world, or you could say “BLEEP BLOOP ASSHOLES IT’S TOTAL FUCKING DARKNESS.”  The TFD’s self-titled debut single is 80s synthpop brimming with delicious irony.  It sneers with dark sarcasm and yet earnestly hopeful lyrics… when you get past the calls for death… for things that should die (like fascism).  This is quite a broad mission statement, but the track is tight. Well, Total Fucking Darkness, you’ve gotten my attention.  Lights out!

TFD BandcampTFD SoundcloudTFD Instagram

I need to throw some love at this duo. Hailing from an empty cargo freighter wired with black lights and a subwoofer the size of a Chevrolet (California), Male Tears are fresh off of their second album Trauma Club and are still going strong with new single “Domin8.” More Xymox than Depeche, “Domin8” is a cigarette-length goth-night-at-the-club stomper – 98% ethically-sourced pure cacao darkwave. Sturdy and kinky, the groans of “capitulate” and “rid me of my soul” reveal masochistic self-loathing, but that beat is all thrust, baby. Male Tears, comprised of duo James Edward and Frank Shark, seem to be mixing their potion a little better with each release.

Also check out the fun aesthetic on their recent video for Trauma Club banger “Model Citizen.”

Male Tears BandcampMale Tears InstagramMale Tears Linktree

Trying to write while neck deep in the grind means sometimes good tunes fall through the cracks. Here I’m going to offer my inbox some relief while sharing worthy musical goodness with you lovable clickers. Five tunes not to miss coming right up!

Opeongo – tragedy

Artwork by Patrick Decourcy

Opeongo’s voice is so uniquely clear that it paints “tragedy” in bold colors.  His tone is sweet and vaguely nasal that it feels like Steve Harley, making “tragedy” feel very glam. It nods so good and demands your attention.  The lyrics tell a grim story of Canadian-indigenous genocide, but end in the potential for hope as voices like Opeongo’s try and remember history so it never repeats.  It’s gorgeous and sorrowful, and that voice will stick to you.

Listen to “tragedy”Opeongo FacebookOpeongo Bandcamp

Down With Space – We Were Strangers

“We Were Strangers” has a post-punk drum flavor and an electro agenda.  The chorus has that kind of foot-stomping energy that is completely magnetic.  The result is a pop tension that feels a lot like 1am with four drinks in the gullet, about to make a very exciting bad decision.  Vaguely nostalgic, exacerbated by the video’s visuals as the viewer perpetually leaves everything behind. There’s just something about that combination of tones that is so compelling.

We Were Strangers VideoDown With Space InstagramDown With Space Bandcamp

Lydia Persaud – Good For Us

Soulful, smooth, and cool as hell, Lydia Persaud’s “Good For Us” is the flavor of self-care and new clarity. Simple rhythm and delicate guitar let Persaud’s voice wash over and cleanse the soul as she sings the praises of time away from one’s lover. The video sees Persaud smudging away the bad vibes and spending some much-needed personal time with her besties. Send the other half out for groceries and roll out the bath bombs to melt into this one.

Good For Us VideoLydia Persaud InstagramLydia Persaud Bandcamp

John Orpheus – House of Cards (Radiohead Cover)

It’s hard to top an original, but John Orpheus gives and old favorite new breath in his Afro-pop cover of Radiohead’s “House of Cards.” Capitalizing on the original’s minimalist percussion, Orpheus adds delicate Caribbean rhythm that gives the song a new optimism. His vocals feel a bit like Phil Collins at moments. Refreshingly honest, video director Patrick Hodgson illustrates the tune with images of real couples in love, from the joyful to the mildly erotic, which capture the (often underrepresented) love shared in a long-term relationships.

House Of Cards by John Orpheus VideoJohn Orpheus InstagramJohn Orpheus Bandcamp

Agath Christ – Blood

It starts like a post-punk electro tune until the beat takes on this off-kilter syncopation that rests on the border between darkwave and electro jazz, if there is one. Noisy and tense, “Blood” is trying desperately to break through the weighted chains of our algorithmic technological oppression. “Blood” is visceral, and stressful, and so very easy to connect with if you’ve ever felt overburdened by the world as it has been engineered. Visuals show (what I interpret as) sufferers escaping their homes to find the last vestige of land free from the looming pressures of technocracy, only able to find rest by laying in the woods in snow. I get it – screens can start to feel like prison walls. Engage with this one.

Blood VideoAgath Christ InstagramAgath Christ Bandcamp

Try ’em out! Let me know what you think in the comments or hit us up on Instagram.