Archive for the ‘Soul’ Category

Jem debuts “Love Me Or Lose Me”

Posted: November 30, 2022 by Kat Meow in Jazz, Jem, London, R&B, Soul

Jem is an English artist hitting the British jazz pop scene with her EP, Love Me or Lose Me.  Motifs about forbidden love come through Jem’s rich tones and smooth jazz rhythms in its four tracks.  The EP starts with “Juliet,” which introduces the more self-conscious and exploratory parts of starting a new relationship.  The red flags are waving throughout – the overthinking, the doubt, the blinders over the lover’s flaws, but that’s par for the course if you’re getting drawn in by a Romeo.  “Falling 4U,” featuring Tomi Balogh, romanticizes the falling with some 00s-type R&B flavors.

A standout track for is “1.18,” where our Juliet is caught in her thoughts in the wee hours of the morning.  Smooth rhythms with spoken-word vocals lament a deep insecurity from an unsure love.  All those red flags from the first two tracks come to a head here.  Sweet and strummy guitars illustrate that frustrating feeling of uncertainty.  It’s hard to know if her lover is giving her the runaround, or if she’s giving it to herself through that endless process of thinking and rethinking into eternity.  What strikes me is how often I’ve been down this road, and how many friends I have watched spiral, asking “what are we?”  Maybe needing to ask is the biggest red flag of all.

Jem’s voice and keys fit with the shift to cold winter tones.  Final track “Fingertips” tinkles this warm EP to a close.  A solid effort from this London-based newcomer.

Jem TikTok  ★  Jem Love Me Or Lose Me EP  ★  Jem Instagram

Trying to write while neck deep in the grind means sometimes good tunes fall through the cracks. Here I’m going to offer my inbox some relief while sharing worthy musical goodness with you lovable clickers. Five tunes not to miss coming right up!

Opeongo – tragedy

Artwork by Patrick Decourcy

Opeongo’s voice is so uniquely clear that it paints “tragedy” in bold colors.  His tone is sweet and vaguely nasal that it feels like Steve Harley, making “tragedy” feel very glam. It nods so good and demands your attention.  The lyrics tell a grim story of Canadian-indigenous genocide, but end in the potential for hope as voices like Opeongo’s try and remember history so it never repeats.  It’s gorgeous and sorrowful, and that voice will stick to you.

Listen to “tragedy”Opeongo FacebookOpeongo Bandcamp

Down With Space – We Were Strangers

“We Were Strangers” has a post-punk drum flavor and an electro agenda.  The chorus has that kind of foot-stomping energy that is completely magnetic.  The result is a pop tension that feels a lot like 1am with four drinks in the gullet, about to make a very exciting bad decision.  Vaguely nostalgic, exacerbated by the video’s visuals as the viewer perpetually leaves everything behind. There’s just something about that combination of tones that is so compelling.

We Were Strangers VideoDown With Space InstagramDown With Space Bandcamp

Lydia Persaud – Good For Us

Soulful, smooth, and cool as hell, Lydia Persaud’s “Good For Us” is the flavor of self-care and new clarity. Simple rhythm and delicate guitar let Persaud’s voice wash over and cleanse the soul as she sings the praises of time away from one’s lover. The video sees Persaud smudging away the bad vibes and spending some much-needed personal time with her besties. Send the other half out for groceries and roll out the bath bombs to melt into this one.

Good For Us VideoLydia Persaud InstagramLydia Persaud Bandcamp

John Orpheus – House of Cards (Radiohead Cover)

It’s hard to top an original, but John Orpheus gives and old favorite new breath in his Afro-pop cover of Radiohead’s “House of Cards.” Capitalizing on the original’s minimalist percussion, Orpheus adds delicate Caribbean rhythm that gives the song a new optimism. His vocals feel a bit like Phil Collins at moments. Refreshingly honest, video director Patrick Hodgson illustrates the tune with images of real couples in love, from the joyful to the mildly erotic, which capture the (often underrepresented) love shared in a long-term relationships.

House Of Cards by John Orpheus VideoJohn Orpheus InstagramJohn Orpheus Bandcamp

Agath Christ – Blood

It starts like a post-punk electro tune until the beat takes on this off-kilter syncopation that rests on the border between darkwave and electro jazz, if there is one. Noisy and tense, “Blood” is trying desperately to break through the weighted chains of our algorithmic technological oppression. “Blood” is visceral, and stressful, and so very easy to connect with if you’ve ever felt overburdened by the world as it has been engineered. Visuals show (what I interpret as) sufferers escaping their homes to find the last vestige of land free from the looming pressures of technocracy, only able to find rest by laying in the woods in snow. I get it – screens can start to feel like prison walls. Engage with this one.

Blood VideoAgath Christ InstagramAgath Christ Bandcamp

Try ’em out! Let me know what you think in the comments or hit us up on Instagram.

This one is a smooth head-nodder by way of Algerian-born Canadian Aladean Kheroufi. Like a Beatles grandchild, “Love…” is declaration of peace. It’s a roadmap to agape, or universal love – the kind of love that would heal the world. With its latte-smooth vocals and downtempo soul sound, Kheroufi brings us back to a feeling when it seemed like love among humanity could really defeat all evil. It makes this song a welcome respite from the world. The video combines fuzzy film filtering with pleasant scenes from Kheroufi’s life, evoking a wistfulness for a time before… you know. Check out the 60s motifs and funky b-side “Every Girl.”

Aladean Kheroufi Bandcamp

Aladean Kheroufi Instagram