Archive for the ‘Video’ Category

Ben Sefton is a fresh singer-songwriter from Saskatchewan. Stepping off the success of alienation diary entry “Humans,” Sefton has released his third tune and attached short film, Harrison. The sound is theatrical and layered, bringing up flavors of Queen or even Jellyfish in its evolving structure as it travels though different channels of pop and rock. Harrison’s narrative is an archetype of the isolated high school geek, with lyrical hints towards suicidal ideation (that I prefer to ignore). Though awkward teen narratives are often cliche, it’s important to see a story of an isolated kid that doesn’t put on a trench coat and blow away the lunch room. It’s a reminder that some kids just need to be heard. Keep an eye out for the guitar-shredding bear.

Ben Sefton Instagram

Ben Sefton Bandcamp

Henry Solomon is an accomplished saxophonist who is most known for being The Guy In The Video For “Summer Girl,” being that he recorded three songs on HAIM’s latest album, Women In Music Pt. III. He’s also the saxophonist for Thumpasaurus, a group I admit to being insanely fond of, comparable to the level that Soda loves Jellyfish, or to the level that teen me loved Led Zeppelin. So naturally, I’ve been flavoring my life with their individual accomplishments, and the first I can find the words about is this sweet little eight minute EP Solomon made in partnership with gentle-voiced bedroom popster Allie Kelly.

It starts with “Menthol,” a breathy synthy ambiance that uses the sensation of menthol as imagery for something cutting. I can’t quite figure the lyrics out, other than the sense that the “knife” she mentions is sharp and turned inward. It’s a nice use of imagery, because the feeling of dragging on a menthol (especially for the first time after a long day) matches Kelly’s breezy vocals – it’s a sharp but refreshing discomfort to fill your lungs with minty smoke. The video makes a nice background visual. Both Kelly and Solomon have great hair and earrings and are having a fabulous night on the sidewalk, and it’s kind of amusing to watch them play around with cigarettes despite clearly being non-smokers.

I think the song that nailed it for me was “Salmon of Positive Energy,” which is certainly the background music of a video game I’ve played in my subconscious. On its own, it becomes an upbeat metaphor for some elusive wisdom, like an unformed out-of-grasp thought or the memory of a dream that’s slipping away upon waking. Per Solomon’s Instagram, the actual Salmon is a “mythical creature that protects fishermen from danger, and and brings happiness and good luck.” The song’s imagery invokes nighttime, but the sound feels, to me, like traveling at dawn through a clear sky. It just feels good and floaty. The song itself was inspired by/written for footage of salmon fishermen, which is interesting except that after four and a half minutes of upbeat drum loops and seascapes, a salmon meets his maker with a hearty stabbing. I appreciate the irony. This one stays on the playlist.

The EP ends with a minute-half little tune “Oh Song” that has the softest little sax, and Kelly’s vocal that seems to be reaching out to either keep/discard a lover depending on if you hear “can” or “can’t.” I choose to hear it as a breakup song but that’s because I’m a feminist curmudgeon and never want to hear a woman offering to be whatever someone else wants. Still, it makes what might be an ugly or desperate feeling into a pretty sound, and I wish there were more than a minute and a half of it.

**Update: April 2022

For some reason, “Oh Song” kept bouncing through my inner monologue at least once per day for a while. I felt like I misinterpreted it and it kept bugging me like it sat on my conscience. As I kept hearing it in my mind, it would morph into the song from the Mario 64 water level “Jolly Roger Bay” because my brain free-associates like it’s perpetually writing bad poetry. But somewhere in the mental swirl came the realization that this song is what an orgasm sounds like. It’s not “Oh, Song.” It’s the “O” song, which makes its short length, sound, and words make total sense in a way I didn’t really get when I first reviewed it.**

Overall, the Menthol EP is a good nighttime listen for settling in with some hot tea and a Marlboro Smooth. They’ve also got a limited edition cassette that comes with a bonus remix, and I’ll update this post when I have the goods in hand. In the mean time, check out the Salmon of Positive Energy video here, and links below.

Allie Kelly & Henry Solomon Bandcamp

Allie Kelly Instagram

Henry Solomon Instagram

This song makes me woozy and a little tense, in all the ways a really engaging piece of experimental music should. “God Complex,” is the newest release by chamber pop trio Gentle Party. The song starts off with breathy vocal notes that posit a tonal wondering. The song becomes lush and delicate like an edible flower, and it stays in the back of your mind, strumming its inquisition. Then the lyrics come in and ask the most frustrating question every fan of everything has had to ask themselves in the last few years – can you separate art from artist? But it’s no matter – God Complex is less about answering the question and more about pointing a finger at every fake and fraud that begs forgiveness because they got caught. And in that, they may be a “gentle” party, but “please forgive me while you pray at my feet” is a statement wrapped in barbed wire scraping the bleeding arms of the patriarchy. “I hope you diligently pray” is a beautifully veiled threat.

The video expresses the concept in a gorgeously surreal narrative as the “god” and his black hands play paper doll with the otherwise powerless protagonist. She’s caught in the narrative of a figure that admires her beauty but controls her every move when he’s not swallowing her whole in his palm. He adorns her life with symbols of control like crucifixes, instruments of torture, and chess pieces. A couple of moments make me wonder if he thinks himself Zeus, and his doll an amalgamation of his many wives represented by many legs. Either way, it’s gorgeous, start to finish.

Time to rant: Does an artist deserve to be separated from their art? This question has been bugging the funk out of all of feminists for eternity and everyone else since #MeToo. I struggle with this as someone who LOVES a lot of art from men. I’ve been let down by so many artists, ones that I really connected with and whose art has illustrated pivotal moments of my life. I’ve navigated that with all of the same dissonance. I can never forgive some performers, but I can forgive others once I weigh my discomfort with their crimes. I try to forget some songs and consider others guilty pleasures. There are performers who go unscathed despite multiple reports of violence, and I watch them and seethe. And then there are performers now that would deeply hurt me if they ended up #MeToo-ing someone. I force myself to keep remembering to “kill my idols” but it is so hard when the voices that often speak to me belong to to the same half of humanity that commits 97% of sexual violence.

“God Complex” is the second single from the upcoming album God Complex, hitting the ground on February 17th. Check them out!

Gentleparty.com

Gentle Party Youtube

Gentle Party Instagram

In conjunction with my review from last week of the Captain Black Heart record, Budgie, I wanted to share the debut single and video for their song “Surf”.

The album will be released on Friday October 6th, wanted to give it another push. Please check these guys out, they have delivered a really wonderful record.

www.captainblackheart.com

Read the review here:

 https://musicsurvivalguide.wordpress.com/2017/09/20/captain-black-heart-budgie-review/