Archive for the ‘Folk’ Category

Today is International Women’s Day.  Radio stations have been blasting us with a higher-than-usual ratio of kickass female artists, giving me the urge to spread some love on my forever faves, older and newer.  Here are five songs by or featuring women that I want to give some International Women’s Day love.

Ain’t Nuttin But a She Thing – Salt ‘N’ Pepa

My wee little 90s girl heart lived on the rhymes of Salt N’ Pepa.  And while “Shoop” may be the SNP tune I could rap on command, this one gets the IWD love for putting the boot down on being underestimated for our S-E-X.  I love this track for showing love to our unique ability to be mothers while still doing everything else a man can.  The video is equally ferocious, lush with female dominance and enough body-ody-ody for my burgeoning bisexual teen heart.  Extra bonus for the burns and beatdowns on the video’s violating males.

Gotta Knock A Little Harder – Mai Yamane (The Seatbelts)

This little gem from back in the day still gives me chills.  Mai Yamane’s voice is husky and fervent as she tears through this bluesy track.  Every yeah yeah and woo woo is sinewy flesh beating at the door to your heart and coming away with chunks of wood and iron.  Tucked away in the credits of 2001’s Cowboy Bebop motion picture, this track is one of the lesser celebrated triumphs of the “Seatbelts,” a jazz band of collected artists who created Bebop’s beloved and renowned soundtracks that were so good they nearly outshined the anime itself.  Yamane’s voice was a standout among them all, a beacon of fervor I still love decades later.

The Joke – Brandi Carlile 

A good way to measure if you’re dead inside is to listen to this track and try not to get some feels.  Carlile’s voice is crystal clear and resonates around my head.  No, really.  I feel it like someone is gently tugging the skin behind my ears, like the Goddess is gripping me by the cuff like I’m a puppy.  This track is a hammer on the heads of the snide and cruel.  Special love goes to the second verse that gives love to refugee and immigrant women, whose struggles are close to the heart of why have an International Women’s Day in the first place – the tragedy of textile workers, mostly immigrant women, who died while being locked inside the burning Triangle Shirtwaist Factory in 1911.

Too Many Creeps – Bush Tetras

Despite being a lifelong New Yorker, I only recently got into the Bush Tetras and their long history of being one of New York’s finest punk funk bands.  They were remarkable for being mostly female, comprised of vocalist Cynthia Sley, guitarist Pat Place, and a long history of female bassists.  Their recent collection, “Rhythm and Paranoia – The Best of the Bush Tetras” provides nubs like me with a lovingly crafted collection of their finest work, which I have devoured.  I got to catch them doing a Planned Parenthood benefit this past December, and let me tell you, our rock and roll elderwomen are freaking awesome.  Women ran to the front of the stage and stood our ground in a sweaty mess of estrogen and joy.  I wish I had this band growing up, but I am grateful I have them now.

The Lesbian Power Authority – Alix Dobkin

Alix Dobkin was the first lesbian feminist musician to originate in the states and go on a European concert tour.  Back in the days when the feminist movement of the Civil Rights Era was in full swing, Dobkin was a folk musician playing coffeehouses and singing about love the straights wouldn’t dream of.  Her landmark album, Lavender Jane Loves Women, remains close to the heart of today’s young lesbians.  It can be surprising to look back to the wee days of 1973, when singing songs about women loving women was brash and revolutionary.  There is no better day to remember who blazed the earliest trails for women to be fully free than on International Women’s Day.

Want to see other female artists Music Survival Guide loves? Check out:

Cover art by Graeme James

This one comes from New Zealand by way of Amsterdam. Graeme James, multi-instrumentalist and composer, is releasing a new album called Seasons on Nettwork Records. Inspired by his relocation from New Zealand to Amsterdam, the album is rich in layers of strings and delicate vocals. All together, James is a one-man band. He wrote, produced, and plucked nearly everything on this record, sans a few guest vocals, percussion, and brass. For the most part, James is as self-made as it comes, even drawing the album’s covers himself. James’s complex and earthy tunes capture cycles of life and weather with masterful precision. All in all, it’s a great flavor of indie folk that recalls shades of Villagers and perhaps Mumford and Sons (with better vocals and more optimism).

Seasons is a thoughtful and reflective set of tunes. Using the changing of seasons as larger metaphors for changes of life, he paints portraits of love and growth. Summertime sweet “Field Notes on an Endless Day” has tonal shades of Zeppelin’s “Going to California” amid its joyful ease. Single “Everlasting Love” is a straight-up country toe-tapper rejoicing one’s long-term affections: “If all that I had was you, I’d be the richest man on earth.” To use the lingo of the kids, that’s relationship goals right there. Autumnal ballad “All the Lives We Ever Lived” reflects on youthful exuberance, lamenting “We only wanted to live forever – was that too much to ask?” The whole album is a gorgeous mid-afternoon listen, curled up with a long term lover or a sleepy dog, warm like the cup of cocoa you’ll crave during “The Weight of Many Winters.”

The standout track for M-S-G is “The Voyage of the James Caird.” It is as dramatic a saga of a shipwreck survival as you can get, and as engaging as it sounds. Graeme’s voice takes on a more soulful thickness even than his other tunes as he tells the story of a real ship that near missed at rescuing its inhabitants. The percussion adds a rock beat to the gut-tingling drama of plucked high notes and rolling deeper tones. The cymbals crash like the waves against the resilient boat hull. From where it’s placed on the album, it feels like just the kind of tale you’d tell around a crackling fire on a cold winter evening, when one might need a message of persistence in peril. You know, kind of the way sea shanties became a thing during COVID for the same reason. No wonder Rolling Stone highlighted the track as a “Song[s] You Need to Know.”

If you’re into indie folk, check out Graeme James. Seasons comes in like a lion on April 1st.

Graeme James Website

Graeme James Instagram

Graeme James Bandcamp